In the painting by husepe Ribera, a bearded old man is breastfeeding a baby. Caravaggio-on the contrary, a young girl breastfeeding an old man. Magritte’s chest, Gogol’s manner of escaping from the hostess, hiding in the closet. Arthiv tries to understand what is happening here: it turns out that a naked female breast can not only give the viewer aesthetic pleasure, but also tell a fascinating story.
Unknown artist of the Fontainebleau school. Gabriel d’estreux and his sister (1594).)
Gabrielle d estrees with her sister
In the picture of an unidentified master of the Fontainebleau school, young damsels take a bath. One of them clutched at her nipple, and judging by the melancholy expressions on the girls ‘ faces, the action came as no surprise to either of them. According to the conventional version, the painting depicts Henry IV’s favorite Gabrielle d’estre and her sister. Perhaps twisting each other’s nipples during water treatments among sisters is not such a rare phenomenon. Continue reading
People with natural red hair color always attracted attention with their “unconventionality” – real or far-fetched. And throughout the history of art, artists from Sandro Botticelli to Dante Gabriel Rossetti revealed the powerful symbolism of red hair, which at different times alternately meant promiscuity, sensuality, cunning and, above all, otherness.
Red hair is rare, but why do we find its wearers particularly attractive or naturally lustful? Why Botticelli decided to give his Venus-the goddess of sex, beauty and love — long strands of ripe rye color? What prompted Rossetti to chase down the street Alexa Wilding-a woman he later portrayed in the painting “La Ghirlandata” (1873) and other works — and beg her to pose? (According to Jackie Collis Harvey, author of Red. The story of redheads”, Rossetti was “an absolutely classic example of a man obsessed with redheads, uncontrollably obsessed”.) Continue reading
With the light hand of Edward Lear limericks went on his triumphant March around the world, establishing the canons of true English humor. Funny pentameters accompanied the drawings: long-nosed cranks, fat cats, dumbfounded owls … Illustrations were to match the new genre of absurdity. And who would have thought that a serious artist, a virtuoso animalist and master of landscape, “descend” to this? We tell about the remarkable artist who radiated warmth and good nature and managed to fill the world with charming paradoxes.
Edward Lear (1812 — 1888) was born in North London, the son of stockbroker Jeremy Lear and his wife Anne Clark Skerret. At a time when the main occupations of women were home Economics and the birth of children, it was not surprising that the future artist was the 20th child in the family. He was the youngest child to survive in an age without antibiotics or vaccinations. The economic turmoil of the Napoleonic wars led to the collapse of the London stock exchange, which directly affected the welfare of the Lear family. Continue reading