aggressive rough strokes
“Rembrandt: Portrait of 1669” (Netherlands, 1977)
What movie? This is a detailed and unhurried narrative from the birth of Rembrandt ninth child in the Miller’s family-and to the last days of his life. Narrative, where heroes say very little (Saskia for 20 minutes onscreen existence not utters nor words, and only talk smiles or seemed to forget eyes), and “the” means very many. People here are mostly silent-talking objects. Here is a gust of wind opens the window — and the rain begins to lash into the house, here crawling spider, the old woman froze reading the Bible, that Rembrandt puts on Saskia’s head wreath of wildflowers, that newborn baby firmly grabs Rembrandt’s finger. All this is interspersed with close-UPS of Rembrandt’s paintings and their details — hands, eyes, hats… Background music sounds — a pipe or a double bass. In color, the film is close to Rembrandt’s painting: shades of brown and ochre-gold predominate here. Continue reading
Rembrandt from the movie of the 1930-ies — rosy Joker and a bit of a klutz. Rembrandt 1970’s-tacit and a gloom type of with heavy mournfully maniac. Rembrandt 2000-x-charming Zippy and witty. Rembrandt from the Soviet TV movie is expressed exclusively in poetry. Rembrandt from the French drama is shown in more than candid bed scenes. Which one recommends Archiv? All! And to make it easier for you to choose a movie to taste, we have compiled a detailed guide to the films about Rembrandt.
Rembrandt (Great Britain, 1936)
What movie? Rembrandt comes to the shop to choose the paint and at the same time buys a precious necklace — it just like his wife Saskia. “They say Saskia is ill? they ask him. “Saskia is healthier than ever,” says Rembrandt. An artist, that with him take? Continue reading
We address these sketches not only to students and teachers, but also to all-all-all who on September 1 feel some nervousness, and at night dreams about exams.
In the history of painting there are many examples of negligent students. So, Florentine artist Filippo Lippi is clearly not enough stars from the sky. Attempts to teach him mathematics turned out to be a failure. Young Filippo only blinked at requests to add apples and pears. A little better was the case with the Humanities. But they did not evoke in the disciple due respect. “He just dirty all sorts of freaks their own and others ‘books” — so described the manner of training Lippi art historian and biographer Giorgio Vasari. In the end, the teachers resigned themselves and allowed Filippo to do only what he really turned out: drawing. And it was the right decision. Lippy was so successful that he later became a teacher himself. Continue reading