In the painting by husepe Ribera, a bearded old man is breastfeeding a baby. Caravaggio-on the contrary, a young girl breastfeeding an old man. Magritte’s chest, Gogol’s manner of escaping from the hostess, hiding in the closet. Arthiv tries to understand what is happening here: it turns out that a naked female breast can not only give the viewer aesthetic pleasure, but also tell a fascinating story.
Unknown artist of the Fontainebleau school. Gabriel d’estreux and his sister (1594).)
Gabrielle d estrees with her sister
In the picture of an unidentified master of the Fontainebleau school, young damsels take a bath. One of them clutched at her nipple, and judging by the melancholy expressions on the girls ‘ faces, the action came as no surprise to either of them. According to the conventional version, the painting depicts Henry IV’s favorite Gabrielle d’estre and her sister. Perhaps twisting each other’s nipples during water treatments among sisters is not such a rare phenomenon. Continue reading
We address these sketches not only to students and teachers, but also to all-all-all who on September 1 feel some nervousness, and at night dreams about exams.
In the history of painting there are many examples of negligent students. So, Florentine artist Filippo Lippi is clearly not enough stars from the sky. Attempts to teach him mathematics turned out to be a failure. Young Filippo only blinked at requests to add apples and pears. A little better was the case with the Humanities. But they did not evoke in the disciple due respect. “He just dirty all sorts of freaks their own and others ‘books” — so described the manner of training Lippi art historian and biographer Giorgio Vasari. In the end, the teachers resigned themselves and allowed Filippo to do only what he really turned out: drawing. And it was the right decision. Lippy was so successful that he later became a teacher himself. Continue reading
Maxim of the Renaissance “Every artist paints himself”, expressed in the XV century, has not lost relevance in our days. For centuries, in addition to simple self-portraits, painters have left secret signatures on their canvases and inserted their images into the works — sometimes in a very unexpected and inventive way.
This sense of self-worth among artists arose in the Renaissance with its humanistic values, proclaiming the importance of the individual and creativity. During this period, two types of hidden self-portraits appeared in Europe. In Italy, artists usually placed their images on the right side of paintings or altars, and their gaze was consciously turned to the viewer.
Sandro Botticelli. Adoration of the Magi
Painting “Adoration of the Magi” (1475) with the representatives of the Medici clan depicted on it. The far right is believed to be Sandro Botticelli portrayed himself. Continue reading