"Bavarian rose" - Empress Sissi. Ceremonial portraits, drama, life (part 1)
The extraordinary beauty of the Empress of Austria and fascinating conversations with her while posing admired Franz the Magnificent-artist Winterhalter. And sissy herself, as Elizabeth of Bavaria was called by…

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7 famous artists who hid self-portraits in their paintings
Maxim of the Renaissance "Every artist paints himself", expressed in the XV century, has not lost relevance in our days. For centuries, in addition to simple self-portraits, painters have left…

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Pre-Raphaelite painting in the details on the outfits and armor (part 1)
Pre-Raphaelites in their works often turned to the theme of the middle Ages and the early Renaissance — artists were attracted by the beautiful subjects of ancient stories and legends,…

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Italian painting of XVII-XVIII centuries

Around 1600 in Rome formed two directions-caravaggism and academism, largely determined the further development of not only Italian but also the entire European painting of the subsequent time. Caravaggio and his followers as the main principle proclaimed appeal to reality, while the representatives of Bologna academism led by the Carracci brothers claimed the inviolability of the canons of classical art, enriched by the practice of full-scale drawing.

A striking example of caravaggism can serve as a picture of “Coronation thorns” Tommaso Salini, as well as” fruit Seller ” circle Bartolomeo Manfredi.

Bologna academism is represented in the Museum’s collection by the works of the leading representatives of this direction – Guido Reni, Simone Cantarini, Guercino, Luca Ferrari and other masters.

In Northern Italy, where painting developed in its own way, worked Bernardo Strozzi and Domenico fetti.

XVII century in the art of Italy is called the Baroque era. Its vivid exponents were the Roman Pietro da Cortona and the Neapolitan Luca Giordano. Baroque style gave a powerful impetus to the flowering of landscape, still life, genre paintings.

Innovative trends in painting at the turn of the XVII-XVIII centuries are particularly clearly expressed by Giuseppe Maria Crespi and Alessandro magnasco.

The last bright period in the development of Italian art is associated with Venice, which put forward in the XVIII century a whole galaxy of brilliant painters, such as Giambattista Tiepolo, Sebastiano Ricci, Crozato, Pittoni, Canaletto, Bellotto, Francesco Guardi.

THE MOST EXPENSIVE PAINTINGS OF 2017
I place and a new sensation in the art world – the most expensive painting on the planet: Leonardo da Vinci. Savior of the world. Circa 1500 Christie's, new York,…

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Pre-Raphaelite painting in the details on the outfits and armor (part 2)
"The dress of the lady of Shallots is absolutely fantastic, from the historical point of view it can not be considered. — There is a round mirror behind the lady…

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"Frida": cinema, love, art and struggle
There are not many really good films about artists. In some cases, the creators brings too modest budget, which inevitably affects the quality. Sometimes the fault is too boring or…

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Italian painting of XVII-XVIII centuries
Around 1600 in Rome formed two directions-caravaggism and academism, largely determined the further development of not only Italian but also the entire European painting of the subsequent time. Caravaggio and…

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