The life and amazing adventures of Ivan Myasoedov
Ivan Myasoedov did not resemble a stereotypical artist, as he was used to seeing the layman. He could tie a knot in a poker, appear in public in the buff,…

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Portrait strokes: map of flaneur Edouard Manet
According to the rules of strolling it is important to walk slowly and aimlessly, to mix with the crowd, but remain separate from it, apart. For a creative person, whether…

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Principal ballet of the century: Oscar Schlemmer and the Bauhaus theatre
The XX century was generous with artistic experiments, performances, plexus of different types of art, plotless, symbolic, abstract, provocative actions. But with all this defiant diversity, there is one theatrical…

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Yusupov

The history of the collection (part 1)

The collection of Italian paintings is one of the most important sections of the Museum’s art gallery: it has more than five hundred and fifty works and chronologically covers the entire period of development of one of the leading European schools of painting. Of these, the permanent exhibition presents no more than two hundred, and those that are stored in the vaults of the Museum, remain little known, both to the General public and specialists.

Italian painting has a special place in the history of the Pushkin state Museum of fine arts (GMII), because it began with the formation of his art gallery. The founder of the Museum Ivan Vladimirovich Tsvetaev, who conceived the idea to create a Museum of casts of works of classical sculpture at Moscow University, even before its opening, came to the conclusion about the need to include originals in the exhibition, primarily paintings. Continue reading

Portrait strokes: map of flaneur Edouard Manet
According to the rules of strolling it is important to walk slowly and aimlessly, to mix with the crowd, but remain separate from it, apart. For a creative person, whether…

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"Bavarian rose" - Empress Sissi. Ceremonial portraits, drama, life (part 1)
The extraordinary beauty of the Empress of Austria and fascinating conversations with her while posing admired Franz the Magnificent-artist Winterhalter. And sissy herself, as Elizabeth of Bavaria was called by…

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"Bavarian rose" - Empress Sissi. Ceremonial portraits, drama, life (part 1)
The extraordinary beauty of the Empress of Austria and fascinating conversations with her while posing admired Franz the Magnificent-artist Winterhalter. And sissy herself, as Elizabeth of Bavaria was called by…

...

Van Gogh's suicide: ten arguments why the murder story is a myth
Art critic Martin Bailey, a researcher of the life of Vincent van Gogh, says: a few years ago, he often asked the question " Why did the artist cut off…

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