Around 1600 in Rome formed two directions-caravaggism and academism, largely determined the further development of not only Italian but also the entire European painting of the subsequent time. Caravaggio and his followers as the main principle proclaimed appeal to reality, while the representatives of Bologna academism led by the Carracci brothers claimed the inviolability of the canons of classical art, enriched by the practice of full-scale drawing.
A striking example of caravaggism can serve as a picture of “Coronation thorns” Tommaso Salini, as well as” fruit Seller ” circle Bartolomeo Manfredi.
Bologna academism is represented in the Museum’s collection by the works of the leading representatives of this direction – Guido Reni, Simone Cantarini, Guercino, Luca Ferrari and other masters. Continue reading