"Frida": cinema, love, art and struggle
There are not many really good films about artists. In some cases, the creators brings too modest budget, which inevitably affects the quality. Sometimes the fault is too boring or…

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Tableau
In the film "Frida" literally recreated several iconic paintings of the artist. This was achieved through a combination of skilful shooting and digital effects. Julie Taymor says: "I believe that…

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"Bavarian rose" - Empress Sissi. Ceremonial portraits, drama, life (part 1)
The extraordinary beauty of the Empress of Austria and fascinating conversations with her while posing admired Franz the Magnificent-artist Winterhalter. And sissy herself, as Elizabeth of Bavaria was called by…

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collections

The history of the collection (part 4)

Work on completing the section of Italian painting has intensified significantly since the late 1960s. The author of these lines, having begun at that time his professional career as the guardian of Italian painting, paid this work paramount attention, considering it important not only to replenish the collection, but also to preserve the monuments themselves in an environment where the collection of works of art was actually banned. Thus, since the late 1960s, the collection of Italian paintings of the Museum has increased by almost one hundred and fifty works, which was about one-third of its former composition. Exhibitions of new arrivals served as a periodic report on the work done (15). Among the early monuments, special attention should be paid to a large composition by Paris Bordone “the Appearance of the sibyl to the Emperor Augustus”, acquired in 1983 from the collection of S. V. Obraztsov, the founder and head of the famous Moscow puppet theater, now bearing his name. Continue reading

The history of the collection (part 3)

The opening of the Moscow Public and Rumyantsev Museum in 1862 significantly stimulated the collecting activities of Muscovites, many of whom came from a merchant environment. By the opening of the Museum in 1862, the Hermitage transferred to its collection two hundred paintings by Western European masters, however, during the existence of the Museum (a little more than fifty years), its picture gallery was significantly enriched by the gifts of private individuals.in 1924, the picture gallery of the Rumyantsev Museum almost completely passed to the GMII. The Italian school, which occupied two of the six exhibition halls of the Museum, was represented mainly by paintings of painters of the XVII-XVIII centuries. The works of such masters as Guercino, Pietro da Cortona, Alessandro Turki, Paolo Pagani, Luca Giordano, can now be seen in the Museum. Continue reading

7 famous artists who hid self-portraits in their paintings
Maxim of the Renaissance "Every artist paints himself", expressed in the XV century, has not lost relevance in our days. For centuries, in addition to simple self-portraits, painters have left…

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Impressionism and Spain, or what happened in Spanish art after Goya and before Picasso
If you don't Google, how many Spanish artists of the XIX century will you name? And the Spanish Impressionists? Even sophisticated art lovers will remember is that of Joaquin Sorolla.…

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THE 10 MOST EXPENSIVE PAINTINGS OF 2018
For the first time in recent years, 2018 auctions were held without sensations , the absolute record of 2017 , the sale of Leonardo da Vinci's "Savior of the world"…

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"Bavarian rose" - Empress Sissi. Ceremonial portraits, drama, life (part 2)
Two years later, a son was born in the family — crown Prince Rudolf, who, of course, was immediately taken under the care of his grandmother and attracted her caregivers.…

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